Choreographer Betty Tchomanga takes up the political dimension of theater as a place for transmitting knowledge by setting affects in motion.Unfolding as a kind of history lesson, Decolonial (Hi)stories #Parallel Portraits, brings together four episodes—portraits—in which the performers take turns sharing their stories on stage. Through each episode, we discover a colonial history, shared by several continents: from France to Benin, Algeria, and Ethiopia, this journey through time and space becomes realized in the stories, dances, bodies, voices, and singular histories of four unique performers.The performance is part of Moving in November 5.–15.11.2026. As part of the festival, there will be an open Soup Talks discussion with Tchomanga and local host on the 11th of November at noon in Caisa.Duration: 2h 30minLanguage: English and French with English subtitlesPlease note: This performance contains flashing lightsInidividual tickets at 33 / 17 euros, sold at lippu.fi. Fesival passes available via Moving in November home page.**Born in 1989 from a Cameroonian father and a French mother, Betty Tchomanga began her artistic training in 2004 at the Conservatoire de Bordeaux and with Alain Gonotey of Cie Lullaby. In 2007 she trained at the Centre National de Danse Contemporaine d'Angers (CNDC). As a performer, she has worked with artists such as Emmanuelle Huynh, Alain Buffard, Fanny de Chaillé, Gaël Sesboüé, Herman Diephuis, Marlene Monteiro Freitas, and Nina Santes.Since 2019, Tchomanga has focused on her writing and research as a choreographer. Her pieces explore the notion of transgression in the sense of going beyond, crossing a limit, whether physical or aesthetic. She likes to produce hybrid forms in which bodies transform and metamorphose. She works with practices that involve overcoming the limits of body and mind through intense engagement of breath, body and voice.**Directed, choreographed and written by: Betty TchomangaArtistic collaboration and performance: Emma Tricard, Folly Romain Azaman, Dalila Khatir, Adélaïde Desseauve aka MuluneshLighting design: Eduardo AbdalaSound design: Stéphane MonteiroSet design and props: Eduardo Abdala and Betty Tchomanga in collaboration with Vincent BlouchConstruction: Emilie GodreuilCostumes: Marino Marchand in collaboration with Betty Tchomanga; Théodore Agbotonou (costume of Folly), and Mariette Niquet-Rioux (mask of Mulunesh)Stage management: Stéphane MonteiroLighting manager (alternating): Eduardo Abdala and Tatiana CarretSound engineer (alternating): Stéphane Monteiro and Maëlan CarquetTrainee assistant director: Ariane ChapeletExecutive director: Marion CachanProduction manager: Florentine BussonAdministrator: Marion Le GuerrouéAcknowledgements: Bureau Aoza, Maxine Le Tyrant, Anouk Le Cann, Rosalie Olivier and the technical team of Quartz - scène nationale de Brest Production: GANG Co-production: Le Quartz Scène nationale Brest, Les Rencontres chorégraphiques internationales de Seine-Saint-Denis, Le Gymnase CDCN – Roubaix, Le Triangle cité de la danse – Rennes, Danse à tous les étages CDCN itinérant en Bretagne, La Maison danse CDCN Uzès Gard Occitanie, CCAM scène nationale de Vandoeuvre, Théâtre de la Bastille – ParisWith the support of: Le Mac Orlan – Brest, CAC Passerelle – Brest, Collège Saint-Pol-Roux – Brest, CN D – Centre national de la danse, European program Choreography Connects With the financial support of: Ministry of Culture – DRAC Bretagne, Brittany region and the City of BrestPhoto: Grégoire PerrierVisit supported by: Institut français / PIDA, ROM, Spectacle Vivant en Bretagne and AdamiVisit in collaboration with: Stoa
Liikkeellä marraskuussa – Betty Tchomanga: Decolonial (Hi)stories #Parallel Portraits
📅 Tuesday, 10 November 2026 at 18:00 – 20:30 · 💶 33 / 17 €
Choreographer Betty Tchomanga takes up the political dimension of theater as a place for transmitting knowledge by setting affects in motion.Unfolding as a kind of history lesson, Decolonial (Hi)stories #Parallel Portraits, brings together four episodes—portraits—in which the performers take turns sharing their stories on stage. Through each episode, we discover a colonial history, shared by several continents: from France to Benin, Algeria, and Ethiopia, this journey through time and space becomes realized in the stories, dances, bodies, voices, and singular histories of four unique performer
